Mozart Serenade in B flat, K361 Gran Partita Wind soloists of the Orchestra of the Age of Enlightenment Presenter TBC
Despite its name, ‘Serenade No. 10 for winds’ actually has parts from 12 wind instruments and one rough double bass. With seven separate sections it’s a complex beast, but incredibly rewarding to listen to.
Mozart Serenade in B flat K361 Gran Partita Myslivicek Wind Octet No 2 in E flat Mozart Selection from Don Giovanni
Last year the string section had their time in the limelight so this concert showcases the wonderful sound-world that the period-specific instruments of the wind section provide.
Musicians suffer just like the rest of us – from colds to chronic conditions, they catch it all.Read More
The clarinet was a relatively late developer compared to many orchestral instruments.Read More
Martin Lawrence has been the Orchestra of the Age of Enlightenment’s second horn since 1995.Read More
This morning at Southbank Centre we launched our 2015-2016 season of concerts to the press – a year which marks our 30th Birthday. As you’d expect we have some pretty special events lined up for you…Read More
His times: Russia and Russian music were alive with nationalism in the mid 1800s when Tchaikovsky was born in a small town in present-day Udmurtia. But while Tchaikovsky’s music irrefutably grew from Russian soil – and often sounds like it too – the composer wasn’t interested in traditional notions of musical nationalism.Read More
Mussorgsky himself never heard his original Boris Godunov on the instruments for which it was intended.
Here conductor Vladimir Jurowski talks about playing the opera on original instruments. Hear it live at the Royal Festival Hall on 15 January.
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Our newest release on the OAE Released label. A trailblazer, whose music is bright and effervescent. Music that constantly shifts, wrong-footing the listener when they least expect it with wild changes of colour and direction.Read More
This Thursday, we perform scenes from the original 1869 version of Mussorgsky’s Boris Godunov. Falling foul of censors at the Imperial Theatres (primarily, it appears, for its lack of a leading female role), this version did not receive its world premier until 1928.Read More
‘Hearing Tchaikovsky played on those instruments was an absolute revelation.’Read More
A month or so ago we took our late night series, The Night Shift, out clubbing, with a visit to the Vauxhall institution that is Duckie…Read More
The OAE education team travelled to York for an exciting weekend of music making, with six concerts over two days.Read More
Those of you on Facebook will have seen the picture we posted yesterday showing some of the office team celebrating the approval of our Russian Visas – after quite a lengthy and complicated process! We said at the time we’d tell you more about our Russian trip so here goes…Read More
Conductor Vladimir Jurowski
Cast Ruxandra Donose, Maxim Mironov, Alessandro Corbelli, Raquela Sheeran
Orchestra of the Age of Enlightenment
2 CDs includes librettoRead More
Imelda de’ Lambertazzi immediately precedes Donizetti’s first masterpiece, Anna Bolena, and was written for the Teatro San Carlo in Naples in the same year (1830). However, its fate was very different and scholars now take the view that the composer’s very concision in his setting of the Romeo and Juliet–like plot, in which Imelda loves Bonifacio, the son of the faction hated by her father Orlando and brother Lamberto, wrong-footed the Neapolitan public.Read More
We started the festive season on Tuesday with our performance of Messiah at the Royal Festival Hall.Read More
Mezzo-soprano Catherine Wyn-Rogers performs Handel’s Messiah with us tomorrow evening (9 December). In preparation, we put her through our speed interview.Read More
Music critic Andrew Mellor explains why he loves Handel, why the Messiah is such a powerful piece of music an why, at that final ‘Amen’, it feels like Christmas has finally arrived.Read More