Handel Overture to Giulio Cesare
Handel L’angue offeso mai riposa from Giulio Cesare
Handel Ah! Whither should we fly…As with rosy steps the morn from Theodora
Handel Concerto Grosso in B minor Op.6 No.12
Handel Where shall I fly? from Hercules
Handel Overture to Theodora
Handel Lord, to Thee each night and day from Theodora
Handel Dopo notte from Ariodante
Handel Concerto Grosso in B flat Op. 3 No. 2
Handel Svegliatevi nel core from Giulio Cesare William Christie director
Stéphanie d’Oustrac mezzo-soprano
Anna Stephany mezzo-soprano
Renata Pokupić mezzo-soprano
Lorraine Hunt Lieberson was one of the foremost mezzo-sopranos of our time, and an artist the OAE worked with regularly, most notably at Glyndebourne and on CD.
The time has come to unveil our new season brochure.This year we went for a purely visual approach, developed with our designers Harrison and Co and photographer Eric Richmond, which has a slight retro feel, using geometric shapes combined with a simple two tone palette.
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It’s that time of year again, when we reveal our ‘look’ for the new season. You might have seen a few things that hinted at our forthcoming brochure, most notably our recent video showing it on the printing presses, but here for the first time we can reveal the full set of pictures.
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Mozart’s Le nozze di Figaro is the quintessential Glyndebourne opera – first performed in 1934 and in 1994 when the opera house re-opened. ‘This is a Figaro of rare grace, naturalness and charm’, said The Daily Telegraph, and for The Sunday Times it was a production that ‘affirms Mozart’s most beloved masterpiece as both of…
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Who was she? Cleopatra was the last Pharaoh of Egypt. Unlike the rest of the feisty females we’ve featured in this series, she was a real historical figure but has reached an almost legendary status due to her accomplishments and the other famous rulers with whom she associated.
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The inspiration for the OAE’s Anthem project came from watching David Walliams complete a sponsored cycle ride, from one end of the country to the other, about five years ago. It made me think how could we pass the baton in sound? How could we unite our partner cities in a large scale project and…
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Lorraine Hunt Lieberson was born in San Francisco, on 1 March 1954. She grew up in a very musical household, with both her parents being music teachers and heavily involved in opera.
Read MoreAh, that new print smell. Our 2013-2014 Season Brochures are hot off the press and ready to be stared at.
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Marshmallow Laser Feast. Just think, if you hadn’t stumbled across this arts blog, you could have gone the rest of your life without knowing what that means..but don’t worry, within the next two minutes you’ll be as informed as I am.
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The character of Falstaff appears in three of Shakespeare’s plays, the two Henry IV plays, and The Merry Wives of Windsor. A vain and obese knight, he provides the kind of comic relief that has become so embedded in today’s theatre and cinema.
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Countertenor David Allsopp joins us on 17 May for the third and final instalment in our Bach journey, at Kings Place.
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Many thanks to Gillian, who performed with us yesterday at the Chipping Campden Festival. What resulted was a glorious performance, on an equally glorious Bank Holiday Monday.
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Tenor Guy Cutting joins us on 17 May for the third and final instalment of Bach’s Cantatas and Brandenburg Concertos. He took a break from rehearsals to speak with us about some of the simpler things in life.
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We’re very pleased to announce that we’ve added a concert entitled Mildly Rude? to our 2013/2014 Southbank Centre season. Rounding off our Gamechangers series, it’s a opportunity to hear music from one of Britain’s unsung classical heroes, William Boyce.
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Himself: Despite his innate musical ability (he began studying music at the age of three), Verdi’s application for the Milan Conservatory was rejected due to his lack of piano technique and discipline. In 1839, he moved to Milan and he had his first success with Nabucco and also his first failure, with the comedy Un…
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Hi, I’m Ellie, the Education Officer for the OAE. Thanks to the range of projects we deliver in the Education Department, my day-to-day job can be very different. From booking players and rehearsal spaces, liaising with schools to organising workshops or trips to the concert hall, collating and organising music for projects, compiling and creating…
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After a recent radio performance, we were contacted by a listener, who asked why we didn’t make players lists readily available online… We thought this was a pretty good point, so here they are.
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