Our brand-new recording of Vivaldi’s iconic The Four Seasons is now available.Read More
Mozart La finta giardiniera
Robin Ticciati conductor
Frederic Wake-Walker director
Antony McDonald designer
Lucy Carter lighting designer
Wolfgang Ablinger-Sperrhacke Don Anchise (Il Podestà)
Christiane Karg Sandrina (La Marchesa Violante)
Nicole Heaston Arminda
Joel Prieto Count Belﬁore
Rachel Frenkel Ramiro
Joélle Harvey Serpetta
Gyula Orendt Nardo (Roberto)
We return again this summer to Glyndebourne for a new production of Mozart’s La finta giardiniera. After playing Mozart’s well known operas for almost three decades at Glyndebourne, we get a chance this summer to perform one of his rarities, under Glyndebourne’s new Music Director, Robin Ticciati.
We thought you probably did.
And how do you feel about being inspired by music, and our largest-ever education project?Read More
Last week we broke out the Pritt sticks and got crafty here at the OAE office, to fashion some rather special envelopes for our new Education Appeal.Read More
We had a rummage through our archives and found this gem from back in 2008 which we thought was worth sharing with you all. Then intern Nick Cooke traveled out to deepest Chesham to meet up with up with OAE Librarian Colin Kitchen. The video includes rare footage of the OAE’s legendary music shed…Read More
This Sunday we’re in York for the Early Music Festival at the National Centre for Early Music. Directing the programme is OAE Leader Kati Debretzeni – and of this podcast she talks about the programme that the Orchestra has put together for the festivalRead More
Ahead of our 13 July concert in York, here’s a little intrigue around the death of composer Jean-Marie Leclair…
The funeral of Jean-Marie Leclair, one of the most famous of France’s violinists and composers, took place on 25th October 1764. He had been killed in front of his house two days earlier, stabbed three times in the back. So who had committed this horrible crime?Read More
We are delighted to be able to announce that we have today received confirmation from Arts Council England that the Orchestra will continue to funded as one of ACE’s National Portfolio Organisations during the period 2015-2018. The funding of £203,904 each year from 2015-16 to 2017-18 will enable the OAE to realise many of its artistic ambitions over the coming years, including our touring around England and our pioneering education programme, as well as our show-case series of concerts at Southbank Centre.Read More
We’re currently performing La Finta Giardiniera at Glyndebourne Opera House. Here are 5 things you probably didn’t know about this Mozart opera, check it out and tell us about it!Read More
Our Marketing and Press Officer, Matthew Grindon, responsible for a lot of the content on this website and on social media, left the OAE team last week for pastures new. We put our Exit Interview questions to him…Read More
On 12 June we filled the airwaves with our live concert of Gamechangers: Mildly Rude? featuring music from William Boyce and Handel at Queen Elizabeth Hall. Whether you were there or listening at home, many of you shared your thoughts via the magic of the interweb. Here we share some of your comments. But first, a word from the critics.Read More
Unfortunately, due to illness, Lucy Crowe is unable to join us for tonight’s concert at the Queen Elizabeth Hall. However we are delighted to announce that Mary Bevan will join us instead. We’re very grateful to Mary for stepping in at such short notice. Please find Mary’s biography below:Read More
A peek behind the scenes during rehearsals for Boyce’s Solomon – a Serenata.
Wildly popular in its day, Boyce’s Solomon even eclipsed Handel’s Messiah in the popularity stakes. However…it’s libretto was perhaps slightly racy and it fell foul of later, more prudish, tastes.
Boyce’s Solomon – A Serenata was wildly popular in its day and even eclipsed Handel’s Messiah in the popularity stakes. But it’s libretto was perhaps slightly racy and it fell foul of later, more prudish, tastes.
Watch the video below for a sneak peek at our rehearsals.Read More
Who doesn’t like a sing song from time to time? Impress your neighbours next time you’re in the shower with our handy phonetic guide to Ich ruf zu dir Jubilate Domino and Vater unser in Himmelreich by Praetorius, courtesy of Robert Howarth – both of which we perform this Friday at the Spitalfields Festival.Read More
Fill your lunch hour with music next week, as we head to Spitalfields for a four-part series of pop-up performances.Read More
On 12 June we close our Southbank 2013-2014 Season with Gamechangers: Mildly Rude?, so called for its inclusion of Boyce’s Solomon – A Serenata, which caused outrage when performed in front of Victorian audiences.Read More
Spitalfields! If it was an actual field you wouldn’t visit it, but it’s not, it’s a hive of cultural activity that we love, and this year we’re all over it.Read More
On 12 June, Steven Devine will direct the OAE in Gamechangers: Mildly Rude? Here we spoke with him about Bach and The Butterfly Effect…
1. William Boyce started his career as a choirboy at St Paul’s Cathedral. When his voice broke he continued to study music.
2. When he became Master of the King’s Music in 1755, and then organist at the Chapel Royal in 1758, Boyce was the teacher of the prodigy Thomas Linley, known as the “English Mozart”.Read More