Orchestra of the Age of Enlightenment

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21 years of photographing the OAE

Thu 12 May 2016

Eric Richmond

When I was first commissioned by the OAE I never dreamed that it would turn into a marriage of such long duration. The length and breadth of the collaboration has lasted over twenty years now, and long may it continue! It has afforded me the opportunity to get to know many of the players, which as time passes allows for an intimacy and a trust that is very rare in photography, a profession that, like the proverbial shark, requires constant forward movement.

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Max Mandel chats about Mozart and American composer Michael Gordon

Thu 5 May 2016

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‘The person who can make you cry in a major key, like no-one else can.’

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Performing new music: we explain all

Wed 27 Apr 2016

Matthew Truscott The Night Shift

“The orchestra’s chief artistic mission is to make old music new. For the OAE, the importance of being involved with contemporary music has over the years become obvious and vital.”

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Tour diary – London to Paris

Fri 22 Apr 2016

London-to-Paris

This week we’re on tour in France and Belgium with our Bruckner programme conducted by Sir Simon Rattle.

Although it’s one of our easiest trips in terms of travel and visa arrangements, it’s also one of the largest orchestras we’ve ever taken overseas. On my first tour, I was interested to find out just how you get an 80-piece orchestra, invaluable period instruments, and one of the world’s leading conductors around Europe.

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Irish flutes in Bruckner?

Wed 20 Apr 2016

Lisa-Beznosiuk

Lisa Beznosiuk shows us the flute she is playing in Bruckner’s 6th Symphony.

Hear it this Friday at the Royal Festival Hall, London:

Sir Simon Rattle conducts Bruckner

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Philip Dale on the trombone in Bruckner

Wed 20 Apr 2016

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Bruckner trombone? Beethoven trombone? Philip Dale takes us through the differences between the two and which one he’ll be choosing to play in Bruckner’s six symphony on Friday 22 April 2016.

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In depth: Sarah Connolly on Mahler

Thu 14 Apr 2016

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“Life changing. Depth and colours and beauty and horror.”

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Daniel Bates on the oboe in Mahler 2

Fri 8 Apr 2016

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‘It takes the musicians and the audience on this epic journey.’

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Watercycle on the RPS shortlist

Tue 5 Apr 2016

watercycle

We’re really chuffed that our Watercycle project has been shortlisted for a 2016 Royal Philharmonic Society Music Award in the Learning & Participation Category.

Part of the OAE Education programme, it involved three-day residencies in nine towns and cities around the country, before a performance at the Royal Albert Hall in March 2016.

As well as training and workshops for teachers and musicians, residencies included schools concerts, community concerts and performances in unusual places. We even played Vivaldi on a ferry!

We’ll find out if we’ve won at the RPS Music Awards ceremony on Tuesday 10 May. Then hear all about it on a special programme on BBC Radio 3 on Tuesday 11 May at 7.30pm.

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The horns in Mahler’s Second Symphony

Wed 23 Mar 2016

Roger Montgomery, Horn

“It’s easy to think Mahler 2 is all about horns. Which it is really.”

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Why I love Mahler’s Second Symphony

Thu 17 Mar 2016

Genevieve Arkle

“Mahler wears his heart on his sleeve and certainly intends to let the world know it”.

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Vladimir Jurowski on Mahler

Mon 14 Mar 2016

Jurowski on Mahler

OAE Principal Artist Vladimir Jurowski discusses the Orchestra’s upcoming performance of Mahler’s Resurrection on period instruments.

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Lynda’s Tour Diary pt. 4

Mon 14 Mar 2016

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The Orchestra reaches China.

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Saxophone of the 18th Century – Peter Whelan and the Bassoon

Fri 4 Mar 2016

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Here at the OAE, we’re known for working with the best performers to bring you the most vivid and authentic historically informed performances we can. Therefore, news of us working on a brand new commission might turn a few heads. Peter Whelan is the Bassoonist who will bring Michael Gordon’s Bassoon Concerto, a new piece written specifically for our period instruments, to life for us in early May. We conducted a quick interview with him to find out a bit more about what makes him tick as a performer…

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The Cycle Goes On

Mon 29 Feb 2016

watercycle

For Watercycle, we travelled to nine towns and cities across across the UK, collaborating with local communities and bringing unique musical experience to people of all ages and backgrounds. With our final residency coming to a close at the beginning of 2016, here’s a look back at our previous years of Watercycle touring.

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Lynda’s Tour Diary pt. 3

Mon 29 Feb 2016

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It’s concert day in South Korea.

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Lynda’s Tour Diary pt. 2

Sun 28 Feb 2016

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Theorbo player Lynda settles in to local life in South Korea.

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Lynda’s Tour Diary

Fri 26 Feb 2016

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Theorbo player Lynda writes home from South Korea.

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2016–2017 now on sale

Tue 23 Feb 2016

on-sale-now

Roll up, roll up. We’ve finally put the whole of our 2016–2017 Southbank Centre season on sale. 

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In depth: Marin Alsop on Schumann, madness and creativity

Sun 21 Feb 2016

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Before our Marin, Music and Madness concert at the Royal Festival Hall in February, conductor Marin Alsop got together with journalist Jessica Duchen, musicologist Dr Robert Samuels and Director of Music at the Southbank Centre, Gillian Moore, to discuss whether madness and genius really do go hand in hand. Or does this notion misrepresent both creativity and mental health problems?

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