The great painter, Jean Ingres, was in no doubt about how important Haydn was: “Whoever studies music, let his daily bread be Haydn. Beethoven, indeed, is admirable, he is incomparable, but he has not the same usefulness as Haydn. He is not a necessity.”Read More
“I always feel that playing these instruments is like doing a tight-rope walk without any kind of safety net…”
Our co-principal oboe Dan Bates introduces the instrument that composer Joseph Haydn (1732-1809) would have been familiar with.
Hear Dan perform at our next Turning Points event at Kings Place, Kings Cross, London:
Sat 12 May 2018
First and Last of a Great Genius
Haydn Symphony no. 1 Haydn Symphony no. 104 London
Find out moreRead More
We’re going to the cinema for a recreation of a remarkable cinema event that first took place in London in 1926.
See the silent film version of the great opera Der Rosenkavalier, while we play live the soundtrack Richard Strauss wrote to accompany the film.Read More
The first of a new series of videos exploring the instruments of the ‘classical’ era (1750-1820).
Principal Horn Roger Montgomery looks at the instrument that would have been used to perform Mozart’s horn concertos.Read More
Mozart illustrated the score for the Rondo from his Horn Concerto No.1 with a series of naughty notes and jokes aimed at his horn player friend, Joseph Leutgeb.
Read the notes as we perform it at Conway Hall with our Principal Horn Roger Montgomery.Read More
The Paston Papers are a collection of hundreds of letters dating back to 15th century Norfolk, which are a fascinating record of the life and times of the Paston family who lived there.
The earliest known Paston letter was written in 1408, and to mark the 600th anniversary our Education team is involved in a series of musical events. This is followed by a concert with the Orchestra at St Nicholas Church in North Walsham on Sunday 1 July, featuring a specially-commissioned piece by composer Sarah Rodgers.Read More
Here’s the programme for our performance of Bach’s St Matthew Passion on Monday 26 March at Royal Festival Hall, Southbank Centre. You can pick up a physical copy free of charge on the night itself.Read More
“It’s designed to disturb. It should get under the skin and worry us.”
Mark Padmore explores Bach’s St Matthew Passion, and the advantages of performing it without a conductor.Read More
Leader Matthew Truscott tells us what it’s like to perform Bach’s St Matthew Passion without a conductor, but instead following the breathing of singer and director, Mark Padmore.Read More
Mark Padmore explains his view of the St Matthew Passion, and the role of the Evangelist…Read More
Here’s the programme for our The Corridors of Power concert on Tuesday 27 February at Royal Festival Hall, Southbank Centre. You can pick up a physical copy free of charge on the night itself.Read More
After ten concerts in three different countries, our Beethoven tour with Nicola Benedetti came to an end in Abu Dhabi yesterday. If you’re at risk of Beethoven withdrawal, we asked our Co-Principal Viola Max Mandel for more Beethoven that you might want to read, watch or listen to next.Read More
One of the more unusual concerts in our 2017/18 Visions, Illusions and Delusions season is The Corridors of Power, a mixture of Haydn and Mozart conducted by our old friend Ádám Fischer.Read More
“Challenging in different ways but so enjoyable.”
Nicola Benedetti chats about performing Beethoven on period instruments as she joins us on tour around the UK and US.Read More
If you’re coming to our concert with Marin Alsop and Nicola Benedetti at Royal Festival Hall, Southbank Centre, on Sunday, get there early for the pre-concert talk at 6pm.
We’re delighted both Marin and Nicola have agreed to join us for the discussion alongside our Principal Flute, Lisa Beznosiuk.
The talk is free in the Clore Ballroom from 6pm to 6.30pm.Read More
Here’s the programme for our Marin Alsop and Nicola Benedetti concert on Sunday 4 February at Royal Festival Hall, Southbank Centre (but it’s also good if you’re going to one of the other performances). You can pick up a physical copy free of charge on the night itself.
If you can’t see it, just click here.Read More
In the classical era, composers such as Mozart and Beethoven often included passages called cadenzas towards the end of their concertos. These were either improvised or pre-composed, and gave the soloist the chance to show off the full range of her or his skills.
For Nicola Benedetti’s performances of Beethoven’s Violin Concerto with us, she’s worked with composer Petr Limonov to write a new cadenza premiered on this tour, for which she’ll be accompanied by our Principal Timpani, Adrian Bending.Read More
Today we’re announcing the concerts in our 2018/19 season as Resident Orchestra at Southbank Centre.
It’s called Life, Liberty and the Pursuit of Happiness, and it’s the second in our Six Chapters of Enlightenment, six years of concerts celebrating the thought that made the modern world.Read More
Classical music hasn’t always been about sitting silently in a concert hall, glugging down a pre-poured glass of wine in the interval and polite applause.
With The Night Shift, we take classical music back to its lively, informal roots with gigs in pubs, night clubs and other venues where you like to spend your time. Enjoy two half hour sets of classical music, played by some of the finest players in the business, without the usual rules.Read More
Professor Tara Shears came to talk to us about antimatter as part of our Bach, the Universe and Everything series at Kings Place. We learnt there is more connecting Bach and particle physics than you might imagine.Read More