We'll be performing on the instruments that Mozart was writing for in our Magic Flute production @glyndebourne. Tak… twitter.com/i/web/status/1…
Next week is CPE Bach week here at the OAE. Or, as we have called the concert, The other amazing Mr Bach week. It kicks off Sunday in Bradford-on-Avon with a concert of his music conducted by Sir Roger Norrington, which then comes to London on Thursday 3 March. Then we have a study day on 5 March, again at London’s Southbank Centre, allowing you to delve deeper into the composer and music. After that we’re off to the States – with concerts in Boston and New York, but more of that another time.
In today’s Guardian there’s a feature in which journalist Guy Damman argues that CPE’s Bach is unjustly neglected. He quotes musicologist Annette Richards who says:
“His music – or the music he considered representative of his talents – is miles away from the elegance and balance we associate with this period. Timelines are crisscrossed, he is endlessly stopping and starting, wrong-footing the listener and causing his audience to reconsider its relation to the music. In that sense, it’s very postmodern, a kind of meta-music.”