We’re an orchestra, so we love concerts. But because the traditional concert format is great for some people and not for others, we often ask ourselves the question, “how could concerts be different?” Ten years ago, we looked at the informal ways people used to listen to classical music and created The Night Shift, our rule-breaking late night format.Read More
Margaret Faultless introduces a 1990 recording from BBC Scotland featuring the first movement of Bach’s double violin concerto.
Spot current OAE players Alison Bury (soloist), Cathy Weiss, Richard Tunnicliffe, Annette Isserlis, and Margaret Faultless.
We perform the same piece at St John’s Smith Square on 24 November (with Margaret) and the West London Synagogue on 22 November.
If you were at one of our recent performances of Bach’s St Matthew Passion you will have noted the absence of a usually ubiquitous figure – the conductor.Read More
Pats on backs all round for last week’s St Matthew Passion in London.Read More
In the run-up to our St Matthew Passion concert, we interview counter-tenor Robin Blaze.Read More
When asked to name their ideal dinner party guests, who would really say JS Bach?Read More
In this week’s Current Distractions – surreal dogs, fun chocolate and a dormant crust of planetary mass that hasn’t spewed out anything hot in years.Read More
As we prepare for Gamechangers: Mildly Rude? on 12 June at Queen Elizabeth Hall, we take a look at a few things you might not already now about Handel. Even Baroque superstars have secrets…Read More
Many of you joined us in Basingstoke on 19 March and at London’s Queen Elizabeth Hall on the 25th, to hear Sigiswald Kuijken and the Orchestra perform music from Bach, Corelli and Vivaldi on the long forgotten violoncello da spalla. It’s an instrument that tends to divide people and the press were no exception…Read More
In the lead up to tomorrow’s concert featuring the violoncello da spalla, we spoke with director and violoncello da spalla player Sigiswald Kuijken.Read More
Many of you may have noticed Violoncello da spalla player Sigiswald Kuijken, on yesterday’s edition of Newsnight. Sigiswald joined Emily Maitless to play the show out with a rendition of Bach’s Bourrée No.1 from Suite No. 3 BWV 1009. For those of you who missed it, you can watch it below.Read More
We’re excited to announce a very limited 3 day flash sale event – allowing you to purchase best available bargain tickets for our next The Works event for just £10.*Read More
My ex-housemate has always liked Philip Glass, so I got us a couple of tickets to see him perform Music in Twelve Parts at Southbank Centre the other night.Read More
Bach’s joyous and exuberant Christmas Oratorio, a stalwart of the festive season.Read More
This year, our popular New Years concerts return to Kings Place on New Year’s Eve and New Year’s Day, to welcome in twenty fourteen with music that’s even more rousing than Auld Lang Syne, and the good news is a) it doesn’t matter if you’re hung over and b) we won’t make you hold hands and sing along.Read More
On 30 September our new season kicks off with a musical explosion that brings William Christie to the Royal Festival Hall, accompanied by the critically acclaimed soprano Sandrine Piau. Many of you will already be familiar with Handel’s Music for the Royal Fireworks, but here’s some facts you may not know about the music and composers featured in the event.Read More
Their music might have stood the test of time, but what about their looks?Read More
Last season we proved that not all audiences are the same and with the last concert of the season taking place tonight, we put together a playlist to find out what tracks our audience and Orchestra love to listen to. Enjoy.Read More
Tenor Guy Cutting joins us on 17 May for the third and final instalment of Bach’s Cantatas and Brandenburg Concertos. He took a break from rehearsals to speak with us about some of the simpler things in life.Read More
A Viola player using the latest technology to create a musical composition, an artist based in Singapore that can create life-like images with just paint and resin – there’s so much to see here and all so culturally nourishing. Plus, if you can make it to the bottom, there’s a picture of Haydn in hair curlers.Read More