Orchestra of the Age of Enlightenment

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OAE NYC – Part 2

Fri 26 Mar 2010

Well I am back at Alice Tully Hall in the orchestra manager’s room typing this on day two of our trip to New York. Last night’s concert went really well, we had a standing ovation from the audience and the players and Iván were really pleased with it.  After another New Yorker breakfast of waffles and fruit (very tasty!) with the girls from the Development team we have an open rehearsal this morning for the friends of the Lincoln Center. We also have some members of the Budapest Festival Orchestra (BFO) listening to the rehearsal, they are completing the Beethoven Symphony Cycle with us here. Iván called me into his dressing room this morning, he was very pleased as his ‘touring wardrobe’ had arrived with the BFO. A flight case complete with suit, iron, ironing board, baton drawer and coffee maker!

Our second and final concert is tonight, we will be performing symphonies nos. 1, 8 and 5. I’m hoping to sneak into the audience and listen for a bit tonight once I have done my backstage duties here as the hall is fantastic. Before that, I’ve got a bit of free time this afternoon so I think I’ll take in a few more of the sights – yesterday I managed to fit in Times Square, the Rockerfeller Centre, Grand Central station and ‘World of M&Ms’ – so tacky you couldn’t help but like it! So I’m going to head down to the southern tip of Manhatten and take the Staten Island ferry and see the Statue of Liberty.

I was very pleased to find out yesterday that our return flights for tomorrow were not cancelled (we are travelling on British Airways!!!) so the final instalment will come next week when we have arrived back in the UK.

Megan Russell, Projects Manager

(editors note – watch out for further NYC news from Nick Logie in the Orchestra very soon)



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Hop 'n drop to Perugia

Thu 28 May 2009

One Concert in the Life of a Touring Musician

So – how have we weathered these last eleven days?

To summarise: four concerts in three venues: Kings Place, the Queen Elizabeth Hall and St. George’s Bristol; three days of ‘Giulio Cesare’ at Glyndebourne; two days of rehearsals at Maida Vale studios, rounded off with a one-night dash to Perugia. Perhaps the deafening silence during the four-hour coach journey from Perugia back to Bologna airport on Monday morning speaks for itself.

The Italian bit began on Sunday with an alarm call at 5.30 a.m. in a hotel near Gatwick. Those awake enough to think of it, boarded the airport bus last in order to get to the check-in desk first, ahead of the double basses, timps and cellos. For, without such tactics, the best-laid plans for a leisurely breakfast and a strong cup of coffee, prior to take off, can fade slowly into a distant dream as time drips by in the first of the interminable queuing procedures that are the hallmark and curse of air travel. Even getting through security can induce moments of character-building restraint. For, on various memorable occasions in the past, instrumentalists have been ordered to hand over tuning forks, hundreds of pounds worth of spare strings and vital, expensive reed-making knives and pliers – packed into suitcases nowadays. As musicians, possibly the most profound question to be asked during the whole tedious business is: “Any sharp instruments in your hand luggage?”

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