On 20 February, we performed with Katia and Marielle Labèque in a programme featuring Saint-Saëns, Ravel, Debussy and Ibert. We’ve heard your thoughts so now it’s time to look at what the press had to say…Read More
We were delighted to be joined by conductor Eduardo Portal for our performances of Ibert’s Divertissement this week. Eduardo is a former participant in our Melgaard Young Conductor scheme so we were delighted to welcome him ‘home’. In case you didn’t receive a slip in your programme at last night’s concert we have posted Eduardo’s biography below.Read More
Last night saw the first of our From a dream to revolution concerts, at the Queen Elizabeth Hall. It kicked off our green tour, and also saw our very first live stream take place (let us know what you thought if you saw it). The concert got a great reception from a sold out hall, and today sees a slightly tired team back in the office, and the Orchestra speeding up to the Lake District on the train for tonight’s concert in Keswick. Up in Keswick David Zinman is replaced by Eduardo Portal, who some of you may remember was our Melgaard Young Conductor last season.
Below are some pictures from last night, plus Orchestra Manager Philippa with our hired in transit van. Usually, for players with large instruments, it’s up to them to get their instruments to the venue (oviosuly we do transport them for them when we tour overseas!), resulting in many cars being driven to Bristol, Birmingham or wherever it may be. As a small Orchestra we don’t have the luxury of a big truck like the symphony orchestras do! But this time, to save carbon emissions, we’re putting all the large instruments in one van, which Philippa is (at this very moment) driving up to the Lake District. We did joke about buying her some pink fluffy dice to go with her transit van…
Next stop: Sheffield
William Norris, Communications DirectorRead More
Next week brings another OAE first – we’re doing our first ever live concert stream, in collaboration with IC247.
Our From a dream to revolution concert on Tuesday 8 February at the Queen Elizabeth hall will be streamed online live and free, starting with the pre-concert interview with conductor David Zinman at 5.45pm and then followed by the concert at 7pm.
It ties neatly into our green initaitive which accompanies next week’s tour (of which, more soon), enabling those unable to come to the concert to still enjoy it.
The concert will be streamed live here and if you use Facebook you can find the relevant event here.
The programme is:
5.45pm: OAE Extras Broadcaster Rob Cowan talks to David Zinman about his career and recordings.
7pm: From a dream to revoulution
Mendelssohn Overture, Intermezzo, Nocturne and Scherzo from A Midsummer Night’s Dream
Weber Clarinet Concerto No.1 in F minor
Beethoven Symphony No.7
David Zinman conductor
Antony Pay clarinet
You can download a free programme to accompany your listening here – this will be available from Monday 7 Feb.
Lastly, if you want to listen to this concert ‘in the flesh’ then it tours to Keswick (with Eduardo Portal replacing David Zinman) on 9 Feb, Sheffield City Hall on 10 Feb and Basingstoke’s Anvil on 12 Feb. London is now sold out but more tickets will be released at 12 noon on the day.Read More
If you had dropped a bomb on the Royal Festival Hall last Friday, at around 11am, then you would have wiped out a very large section of London’s classical music life. Why? Well last Friday was the press launch of the 2011-2012 classical season at Southbank Centre. I’m sure to the assembled ranks of journalists that this all seemed very normal and routine, but the fact is a huge amount of work goes into not just the organisation of an event like this, but in getting the seasons of four Resident Orchestras ready in time, so they can all be launched at exactly the same time, and go on sale all together three days later. For the OAE launching this early in the year is something of a novelty, as until recently we’d do it in a much more leisurely fashion. Maybe in April…May…just whenever we got it all together really.
But obviously we make a lot more impact if we launch our new season together with the other Residents: LPO, Philharmonia and London Sinfonietta and also together with the various series that the Southbank Centre puts on too.
Pictured below (thanks to Sam Dub for the pics) are the various speakers for the event – including Marshall Marcus, who not very long ago was the OAE’s Chief Executive. We, as you know, don’t have a Principal Conductor, so we asserted our difference and had a player representing us – a huge thank you to OAE Leader Matthew Truscott for volunteering – he did a great job, though he did remark he was far more nervous than he ever gets when playing his violin!
Obviously we were excited about our own season, but its also fun to hear whatevery one else is putting on – and we were especially excited to see that Eduardo Portal, our Melgaard Young Conductor last season, is featuring in the LPO’s season – congratulations to him! There will definitely be an OAE crowd there cheering him on on 25 November.
Some boring small print: Friends of the OAE have priority booking till 21 Feb – we’ll be posting full details of everything then. If you want to sign up to the Friends give us a buzz! 020 7239 9382. There’s also a cheaper Priority Bookers option for £15.
Already there has been some coverage:
William Norris, Communications DirectorRead More
Here’s a few pics we took while in rehearsal at the Royal Albert Hall for our BBC Proms performance last Sunday. In the last couple you can see our Melgaard OAE Young Conductor Eduardo Portal on the podium – he probably took over for a bit so that Sir Simon could check the balance further back in the hall. On the night Eduardo conducted the off stage horns in Tristan and Isolde.Read More
Our June OAE podcast is now here, and is, if we say so ourselves a rather good listen. In it, we take a trip to Glyndebourne, catch up with OAE Education Director Cherry to talk about our fantastic Creation project and related Family Concert, chat with Eduardo Portal, the current Melgaard OAE Young Conductor and finally we talk to Eric Richmond (photographer) and Chris Harrison (designer) who are behind our much-talked-about gaffer tape pics.
Or search for us on itunes.Read More
A while back, photographer Karen Robinson was commissioned by Southbank Centre to take pictures of the Resident Orchestras and their major artists, with a view to using the images for the Southbank Centre’s 2010-2011 Classical Music Season. You may well have already seen the photographs in the Southbank’s Classical Music Guide. As part of the project, Karen spent a day with the OAE as we rehearsed and performed Vivaldi’s L’estro armonico at the Queen Elizabeth Hall. The results are fantastic, and a wonderful glimpse into what happens backstage at a concert. Here’s an initial selection (from the afternoon rehearsal), and more will follow.
William Norris, Marketing DirectorRead More
Here’s a selection of pics from our last Night Shift event which was at the Queen Elizabeth Hall on 25 May. Support for the evening came from Firefly, while the main concert featured the Orchestra playing Beethoven’s Symphony 6, with our Melgaard Young Conductor Eduardo Portal at the helm, making his public debut with us. We wrapped things up with a set from DJ Nick Luscombe. We’ll have more pics and our Night Shift ‘Pod Idol’ competition on here very soon, and if you’re a Night Shift fan keep an eye on the website as we will be announcing our special summer event in the next few weeks. All pics here are by Joe Plommer, and you can view the full gallery of pics here.Read More
Here’s yesterday’s Evening Standard’s coverage of Eduardo Portal making his debut at The Night Shift on Tuesday.Read More
We’ve just released a fresh out-of-the-box podcast, just in time for our next Night Shift on 25 May. It features interveiws with conductor Eduardo Portal (see his interview below), presenter Alistair Appleton, plus your thoughts on the last event at the Roundhouse. Listen to it here.
On the podcast we also mention something coming up on the 25 May event, which is a chance for you to be the Voice of the podcasts. We want to zing them up a bit, so as part of that we want an audience member to record the intros. On 25 May we’re looking for audience members to record a few lines with our podcast guru Ben. We’ll then pick our favourites and put it out to a vote on this blog. Everyone who records a line will be entered into a competition to win some goodies and there’s a special prize for the winner too. You can just turn up on the night and do it between 9 and 10pm or after the show from 11pm to Midnight. If you’re really keen to do it and want to register in advance drop us a line at firstname.lastname@example.orgRead More
Eduardo PortalRead More
You may have read recently about our new Apprentice Conductor, Eduardo Portal. Well, Eduardo, whose official title is the Melgaard OAE Young Conductor, recently started his year with the OAE, and here are his first impressions:
First day of rehearsals, my first day as assistant conductor of the OAE. The orchestra starts to play. What a sound! It is so alive! What is that wave moving around the rehearsal venue? Is it wind? Or water? Something must be happening, something that I have never experienced before. What is it? It feels like an injection of life inside my veins; my adrenaline goes up to high levels. I cannot remain sitting on my chair, I must stand up, my excitement is too much to be sitting down. There I go, walking around the players and trying to find out what that phenomenon is. Is it the period instruments which cause such an effect? Maybe it is the players, or perhaps the conductor, it could also be the piece!
Now I know what it is. It is their way of making music! They all move together and produce this wonderful wave of sound going up and down as the piece evolves. Their phrasing is stunning! They all feel the direction of the music in the same way and contribute to create a wonderful and dynamic performance. It is as if the music were happening in this moment for the first and last time in the history, as if the piece were being composed while played and at the same time, being mastered with a superb performance.Read More