Richard Strauss Selection of songs
Richard Strauss Der Rosenkavalier (salon score)
Geoffrey Paterson conductor
Charlotte Beament soprano
A night at the cinema.
We’re going to the cinema with a historically-informed recreation of a remarkable cinema event that first took place in 1926.
Enjoy the big screen adaptation of Richard Strauss’ great comic opera Der Rosenkavalier, accompanied by a live orchestra playing the music Strauss himself wrote to accompany the film.
“Life changing. Depth and colours and beauty and horror.”Read More
‘It takes the musicians and the audience on this epic journey.’Read More
“It’s easy to think Mahler 2 is all about horns. Which it is really.”Read More
“Mahler wears his heart on his sleeve and certainly intends to let the world know it”.Read More
OAE Principal Artist Vladimir Jurowski discusses the Orchestra’s upcoming performance of Mahler’s Resurrection on period instruments.Read More
His Times: Mahler said, ‘I am hitting my head against the walls, but the walls are giving way,’ a quote that aptly captures the musical world that Mahler and his contemporaries were creating in 19th century Austria and-Germany.Read More
We’ve just announced some new events as part of our 2015-2016 Birthday Season, details below, plus details of a new Night Shift event and other recently-announced concerts outside of our main season:Read More
Vladimir Jurowski conducts works by Mahler, including Songs of a Wayfarer with soloist Sarah Connolly,Read More
After the last Night Shift back in January, where Vladimir Jurowski conducted us in music by Mahler and Liszt, our brave man-with-a-cam, Zen, asked the audience: ‘How was it for you?’
Here’s what people said:Read More
Here’s a little video diary from our trip to Paris back in January, when we took a supersized OAE there for a concert of Wagner, Liszt and Mahler with conductor Vladimir Jurowski and mezzo soprano Sarah Connolly. We armed Communications Director William Norris with a video camera, and here are the results:
We’ve had a bit of a backlog of videos here, so these audience vox pops have been somewhat delayed. But they’re here now. After our Symphonic Enlightenment programme of Wagner, Mahler and Liszt at the Royal Festival Hall back on 21 January we asked audience members what they had made of the performance (with conductor Vladimir Jurowski and soloist Sarah Connolly). Here’s what they said:Read More
Back in January before our Mahler/Wagner/Liszt Symphonic Enlightenment concert at the RFH, Robert Philip gave a pre-concert talk discussing what impact the onset of the ‘recording era’ in the early 20th century had in helping us to understand what Mahler’s sound-world might have been like. Take a listen:
Pre-concert talk: Robert Philip – 21 January 2011 by OAERead More
Regular readers of this blog or our Facebook Page will know we were due to interview Vladimir Jurowski back in December. Well, that didn’t happen as he wasn’t too well, and about to embark on a big tour. We did however catch up with him last week, when he was with us conducting the Symphonic Enlightenment programme. We’d like to say a big thank you to him for giving up some of his hectic schedule to speak to us – particularly given that a) He still wasn’t 100% well, as evidenced by the tissue clutched in his hand and b) his schedule really is super-packed – he didn’t even have any time off over Christmas!Read More
We’re back from Paris and a second performance of our Symphonic Enlightenment programme of Wagner, Mahler and Liszt. First reviews from Friday’s performance are now in too – mainly from bloggers and online. Hopefully the Nationals will follow tomorrow. Thanks so much for the comments posted on our blog, You Tube video and also for the many Tweets we’re had as well. It’s always great to get such instant feedback!
Radio 3 recorded Friday’s concert at the Royal Festival Hall and you can listen to it at 7pm tonight, or online here for 7 days after.
Also coming up on the blog – a video interview with conductor Vladimir Jurowski, a round up of Night Shift news, pictures from Paris and a Parisien tour diary. Plus a parting shot from our intern Ingrid.
Tonight we play our Symphonic Enlightenment programme at the Royal Festival Hall – a late romantic programme of Wagner, Mahler and Liszt with 90 players on stage. For us, a huge undertaking. Parts of the programme had their first airing on Wednesday at our (Sold out) Night Shift, but tonight will be the first time that Sarah Connolly joins us to sing Mahler’s Lieder eines fahrenden Gesellen (well, not quite first, we have obviously rehearsed it!). We caught up with her earlier this week to ask her about the piece:
In our latest video ahead of our concerts of Mahler, Wagner and Liszt this week we speak to our Principal Flute, Lis Beznosiuk. She talks about which flutes she is using for the concert, a task made difficult by the quite wide period of time (and hence flute-evolution) that the music spans, and also about why she loves Mahler so much.Read More
Our next Night Shift event is next Wednesday at the Queen Elizabeth Hall, when we’ll be joined by Night Shift regular, conductor Vladimir Jurowski, for a concert of Mahler and Liszt. Support comes from Kitty La Roar and Nick of Time and there’s a DJ set afterwards from Postino. We’ve just released a new podcast ahead of the event and in it we chat to Orchestra leader Maggie Faultless about the music featured, hear from Vladimir Jurowski about his experiences of conducting at The Night Shift, find out how the graphic design and illustration for The Night Shift has evolved and also talk to Natasha, one of our student representatives. You can listen to the podcast below and it will also shortly be available on itunes. Also below is a retrospective of Night Shift flyer designs, to accompany your podcast listening!Read More
Mezzo-soprano Sarah Connolly who sings with us in London and Paris next week, talks to journalist Andrew Mellor about her work with later romantic repertoire such as Mahler and Wagner:
You seem to be moving in a new direction with all this Wagner and Mahler…
Yes – thank goodness I had a lot of superb training at Glyndebourne, which prepared me very well. I didn’t realise I had that dramatic sound in my voice until Vladimir Jurowski offered me a concert performance of Tristan a while ago. He seemed to think I could do it and I appreciated that leap of faith. I had sung Das Lied von der Erde with the Concertgebouw and many other orchestral lieder by Mahler so despite performing Handel’s Giulio Cesare at the same time, Brangäne’s music felt very natural. I will confess though that her extreme outbursts initially made me want to apologize to the rest of the room! I felt slightly uncomfortable with Wagnerian hysteria.
You seemed very suited to the character at your Prom performance with Simon Rattle and the Orchestra of the Age of Enlightenment this summer…
Actually Simon came to that rehearsal of Tristan with the LPO and Vladimir and that’s how the Prom came about. Simon was offering different ways of doing things, giving me more space than I’d been used to. He’s a wonderful accompanist; he invites the orchestra to accompany and never dominates, but at the same time he is also able to take the lead.
Next week at our Symphonic Enlightenment concert at the Royal Festival Hall, the horns of the OAE take centre stage. Martin Lawrence, from our Horn Section, here explains the difference between Natural and Valve horns, talks about how they are used in the music of Liszt and Wagner and how Mahler wants the best of both worlds…Read More