We’re currently performing La Finta Giardiniera at Glyndebourne Opera House. Here are 5 things you probably didn’t know about this Mozart opera, check it out and tell us about it!Read More
Over the last few weeks absolutely loads of you have been in touch to tell us your most hated classical pieces. And we weren’t exempt, with one person arguing this ”doesn’t achieve anything. Just more nauseating PR”, I think it’s safe to assume we made his hall of shame. We had a great laugh hearing some of your responses and have put together the definitive list. So get your ear plugs at the ready, here’s you top ten most hated classical pieces.Read More
We all have our favourite operas (if you are into opera, of course). And frequently an intense debate among opera fanatics can arise over who is the best composer. After two hundred years we still debate about Wagner and Verdi, two amazing composers that changed opera forever. With this in mind, I have recently been asked the following: “Daniel, if you had to nominate five (and only five) operas that everyone must see before they die, what would they be?”Read More
We chased down the wonderful Victoria Simmonds; aka Flamel in our up and coming concert performance of Offenbach’s Fantasio, to talk about some of the finer things in life (books, opera, Brad Pitt, that sort of thing…)Read More
Time is running out to pre-order our brand new CD – Mozart’s Complete Horn Concertos, with our Principal Horn Roger Montgomery. Purchase it before Monday to receive a special discounted rate!Read More
Professor Julian Rushton takes a detailed look at Mozart’s last three symphonies, in a pre-concert talk given before the concert ‘By Jupiter, that’s the last of Mozart!’ on 29 January 2013 at the Royal Festival Hall, conducted by Sir Simon Rattle.Read More
Mozart’s Le nozze di Figaro is the quintessential Glyndebourne opera – first performed in 1934 and in 1994 when the opera house re-opened.
‘This is a Figaro of rare grace, naturalness and charm’, said The Daily Telegraph, and for The Sunday Times it was a production that ‘affirms Mozart’s most beloved masterpiece as both of its time and perennially modern, Grandage oiling the comic mechanisms of Lorenzo Da Ponte’s libretto with a master technician’s hands.’Read More
A Viola player using the latest technology to create a musical composition, an artist based in Singapore that can create life-like images with just paint and resin – there’s so much to see here and all so culturally nourishing. Plus, if you can make it to the bottom, there’s a picture of Haydn in hair curlers.Read More
On 22 March, our first concert as part of the Kings Place Bach Unwrapped series will explore Bach’s Cantatas and Brandenburg Concertos. Among the performers will be critically acclaimed tenor; Stuart Jackson.Read More
We finally finished our European tour with Sir Simon Rattle with a flourish at the Royal Festival Hall last Tuesday.
Here’s what the press had to say, as well as what you thought of the night.
At the end of September, OAE players visited St Laurence School in Bradford on Avon for our annual opera project with eight classes of Year 7′s who had just joined the school.Read More
Welcome to the first of a new section based around what’s been catching our collective eye…Read More
As ever, this summer we’ve been down in Glyndebourne, this year performing in the pit for two operas, The Fairy Queen and Le Nozze di Figaro. We’re delighted to say that Glyndebourne have made available this completely free stream of Le Nozze di Figaro, conducted by Robin Ticciati, which you can enjoy here until 2 September. Happy viewing!
Don’t forget that you can purchase DVDs of the Glyndebourne productions of The Fairy Queen and Rinaldo in our online shop.
Act 2Read More
We’re almost halfway through our run of The Marriage of Figaro at Glyndebourne and there’s been some great response to it so far.Read More
You may remember that a while back we asked you for your suggestions for a concert title, for an event in our yet-to-be-announced 2012-2013 London Southbank Centre season. The concert was an all Mozart one featuring his last three symphonies, Numbers 39, 40 and 41, Jupiter. There were lots of great suggestions and we’ve picked out our favourite four for a public vote. So, take a look below and select your favourite. Voting closes on Tuesday morning.Read More
It’s time for what has now become a yearly tradition for us on the OAE blog, where we turn to you, our readers to help us name a concert in our season. Last time you came up with ‘Fingers, Felix and the Freeshooter’ (for a concert of Weber, Mozart and Mendelssohn that started our current season), and the previous year the winning title was ‘Papa Haydn and Sister Act’, for a concert featuring music by Haydn and the Labéque Sisters on piano.
So, you did us proud in past seasons and now, as we plan our 2012-2013 Season (yes, we work a LONG time ahead!), we are turning to you again for some help. The concert is below – can you think of a catchy title for it? Leave your ideas below as comments and we’ll pick our favourite. For those of you new to this, each of our London concerts has a title, intended to give potential ticket-buyers a flavour of the evening. They can be straightforward, witty or even irreverent.
Suggestions must be in by next Friday 4 November. And in case you’re really keen, the season goes on sale in February next year.
Mozart Symphony No.39
Mozart Symphony No.40
Mozart Symphony No.41, Jupiter
(i.e. Mozart’s last three symphonies)Read More
Il desio di vendetta Lucio Silla
Sposa Cara La finta semplice
Quercia annosa Il sogno di Scipione
Dentro il mio petto La finta giardiniera
Se vicendo Il rè pastore
Il padre Adorato Idomeneo
Sol può dir Il rè pastore
Vedrommi intorno Idomeneo
Misero! o sogno, K431
Il mio tesoro Don Giovanni
Fuor del Mar Idomeneo
Un’aura amorosa Cosi fan tutte
In qual fiero contrasto Cosi fan tutte
Se all’imperio La Clemenza di Tito
Jonathan Cohen conductor
Jeremy Ovenden tenor
Orchestra of the Age of Enlightenment
Total Running Time: 67.31
Signum Classics SIGCD251
Exsultate, Jubilate, K.165
Laudete Dominum (Vesperae solennes de confessore)
Bella mia finamma, addio!…Resta, oh cara
Oh, temerario Arbace!… Per quel paterno amplesso
Giunse alfin il momento…Al desio di chi t’adora
Le nozze di Figaro (alternative aria)
Una donna a quindici anni Così fan tutte
Quando avran fine omai…Padre, germani, addio! Idomeneo
Ah! fuggi il traditor Don Giovanni
L’amerò, sarò costante Il re pastore
Là ci darem la mano Don Giovanni (with Bryn Terfel)
Pianist and scholar Robert Levin appeared with us last night in two concerts (a 7pm and a Night Shift) and today has been on a bit of a media blitz, appearing on Radio 4′s Today programme and the World Service too. There’s also something in the Evening Standard.
The reason? Well Robert has been talking about two things. Last night he performed Mozart’s Piano Concerto No.23 with us, and Robert’s research strongly points to it being written for a pupil of his, Barbara Ployer, something previously unknown. One of the reasons he suspects this is that he found a coda written for the piece, which was intended for Barbara, and this coda hasn’t been performed for at least 200 years. But alongside this, Robert has been talking about how we perform Mozart these days. Modern performance very much sticks to what is written on the page, with no deviation. But Robert argues that in Mozart’s day there would have been a lot of free rein given to the soloist, to embellish the basic musical line, improvise around it etc. In fact, Robert, argues that his hero, Duke Ellington, is really like a modern-day Mozart.
Robert is performing the Concerto with us again on 4 October, as part of our very first The Works event. In the event he’ll be joined by presenter Suzy Klein, and the first half of the concert will be given over to a ‘guided tour’ of the concerto. More on the event in this previous blog post.
Here’s Robert talking about the concerto, plus links to today’s coverage.
Robert on the Today Programme
Evening Standard CoverageRead More