This week, as part of our collaboration with National Centre for Early Music (NCEM), we’ve been working with students from Years 7 and 8 from Beverly Grammar School, as well as York University MEG students, recreating Purcell’s Fairy Queen.
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Education Director Cherry Forbes is currently up in Beverley, working on an exciting project based on Purcell’s Fairy Queen. Here, Cherry tells us about the first day of the project; the quirks of staying in this beautiful historic town and what to expect from the rest of the week.
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Today is not only St. George’s Day but also World Book Day, so we thought we’d mix some British music with some literature-related music and the result is a new Spotify playlist, including Purcell’s works on Shakespeare, Monteverdi’s on Petrarca, Strauss on Cervantes… Add some Dowland, Britten, Tallis, Sullivan and of course the most well-known…
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The countertenor is the highest male adult voice. Peter Giles, a professional countertenor and noted author on the subject, defines the countertenor as a musical part, rather than a vocal style or mechanism. The countertenor range is generally equivalent to an alto range, extending from approximately G3 or A3 to E5 or G5 and they…
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We hope you enjoyed our OAE TOTS go Wind today- it was fabulous to see so many music makers at Kings Place on a snowy Saturday morning! If you grown-ups would like to know what you heard and maybe listen again at home, here’s a list of some of the music we played: Anon (songs)…
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Anyone present at ‘Live Friday’ last week will have heard Margaret Faultless, Robin Michael and Matthew Truscott putting Purcell through his paces, on the rooftop of Oxford’s Ashmolean Museum.
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After last month’s performance of Queens, Heroines and Ladykillers: French Exchange at Southbank Centre, we spoke with some audience members to find out what they thought of the concert.
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In Part 3 of our guide to female opera characters, we’re looking into the life of famous queen Dido…and tonight at the Royal Festival Hall, Anna Caterina Antonacci will be portraying the lady herself in an aria from Berlioz’s grand opera Les Troyens. Who was she? Dido was founder and queen of Carthage. She fled…
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The DVD of Glyndebourne’s spectacular production of Purcell’s exuberant take on Shakespeare’s A Midsummer Night’s Dream is now available.
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We’re very pleased to be able to offer you the chance to watch the 2009 Glyndebourne production of Purcell’s The Fairy Queen, featuring the OAE, online.
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Last week Glyndebourne’s production of Henry Purcell’s The Fairy Queen opened, with us providing musical accompaniment from the pit. The first reviews are in and here’s what they had to say:
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Henry Purcell Dido & Aeneas An opera in three acts with Sarah Connolly, Gerald Finley, Lucy Crowe, Patricia Bardon, William Purefoy, Sarah Tynan, John Mark Ainsley, Carys Lane and Rebecca Outram. Orchestra of the Age of Enlightenment Choir of the Enlightenment Elizabeth Kenny & Steven Devine music directors Total Playing Time: 69.49 CHAN 0757
Read MoreMy first exposure to the OAE was at the last Nightshift at Wilton’s Music Hall, and it was a totally awesome introduction to the orchestra! I was set the exciting task of capturing footage from the performance and recording vox pops of members of the audience and orchestra and editing it down to a…
Read MoreLast Friday saw The Night Shift (our late-night informal concert series) take place for the very first time at Wilton’s Music Hall. The evening started off with music from Nathan ‘Flutebox’ Lee and guests – as you might glean from his name, he plays the flute and beatboxes at the same time – stunning. At…
Read MoreThe other week we were preparing a press release about our forthcoming Night Shift at Wilton’s Music Hall, and we asked OAE leader and director of this performance, Matthew Truscott for a quote to go on the release. We really loved his description of the venue so thought we’d share it with you here. We’ll…
Read MoreLast Wednesday OAE friends gathered together for a Baroque dancing session. Tutor Nicola Gaines led us through the basic steps of Baroque dance, and we were accompanied by a quartet of OAE players, performing music by Handel and Purcell and also taking a solo spot later in the evening while we all had a rest…
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