Handel Overture to Giulio Cesare
Handel L’angue offeso mai riposa from Giulio Cesare
Handel Ah! Whither should we fly…As with rosy steps the morn from Theodora
Handel Concerto Grosso in B minor Op.6 No.12
Handel Where shall I fly? from Hercules
Handel Overture to Theodora
Handel Lord, to Thee each night and day from Theodora
Handel Dopo notte from Ariodante
Handel Concerto Grosso in B flat Op. 3 No. 2
Handel Svegliatevi nel core from Giulio Cesare William Christie director
Stéphanie d’Oustrac mezzo-soprano
Anna Stephany mezzo-soprano
Renata Pokupić mezzo-soprano
Lorraine Hunt Lieberson was one of the foremost mezzo-sopranos of our time, and an artist the OAE worked with regularly, most notably at Glyndebourne and on CD.
The time has come to unveil our new season brochure.This year we went for a purely visual approach, developed with our designers Harrison and Co and photographer Eric Richmond, which has a slight retro feel, using geometric shapes combined with a simple two tone palette.
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Who was she? Cleopatra was the last Pharaoh of Egypt. Unlike the rest of the feisty females we’ve featured in this series, she was a real historical figure but has reached an almost legendary status due to her accomplishments and the other famous rulers with whom she associated.
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We’re very pleased to announce that we’ve added a concert entitled Mildly Rude? to our 2013/2014 Southbank Centre season. Rounding off our Gamechangers series, it’s a opportunity to hear music from one of Britain’s unsung classical heroes, William Boyce.
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We had great fun in our OAE Tots go Strings concert on Saturday and hope you did too. If you’d like to know a bit more about what we played, read on: Most of our concert was made up of Telemann’s Don Quixote pronounced ‘Don Keyshot’. See what we did there with our donkey theme!…
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In this talk Richard Wigmore looks at the history and vivid descriptions of Haydn’s The Creation. Was it ‘programme music’ before its time?
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Ahead of our Insight Club on 6 April, we chatted to astrologist and OAE enthusiast Shelley von Strunckel about Mozart, mysticism and The Matrix…
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We welcomed esteemed conductor Marin Alsop and British soprano Emma Bell to the stage for a dramatic concert featuring Mozart, Beethoven and Schumann on 8 March at the Southbank Centre. Here’s what the audience thought of the night…and below, what the press had to say. The Times (subscribers only) Seen and Heard Classical Source Lieto…
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Our concert this Friday marks, to the day, the 200th anniversary of the first concert given by the Philharmonic Society of London (later the Royal Philharmonic Society) which was set up in 1813 by a group of professional musicians with the aim “to promote the performance, in the most perfect manner possible, of the best…
Read MoreWe were honoured to welcome one of the world’s greatest pianists, András Schiff, to the stage on 25 February for two Mozart piano concertos.
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Can you believe it’s been a whole year since we launched our new website? We took on board what you said about making concerts easier to find with a brand new calendar, combined our blog into the layout, with lots of new content and launched our very own OAE Shop, where you can browse and…
Read MoreFor those of you who haven’t tried out one of our The Works concerts yet, we’ve got a great event coming up this month at Southbank Centre on 26 March.
Read MoreIn Curtain Raisers and High Drama on 8 March, Marin Alsop joins us for an evening of hugely evocative music written for the female voice. Among works by Weber, Beethoven and Schumann, there’s also a chance to hear Elettra’s heart wrenching lament O smania! O furie!… from Mozart’s Idomeneo, an aria so powerful, you might…
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Andrew Watts (OAE Principal Bassoon) discusses posthorns, hunting horns, sackbutts, clarino, hand-stopping, beer, harmonies, bandstands and the evening’s concert, with Martin Lawrence (Horn) and David Blackadder (Trumpet) from the OAE brass section. This pre-concert talk was given before the A Touch of Brass concert at the Queen Elizabeth Hall at Southbank Centre on 25 October 2012.
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As part of our Queens, Heroines and Ladykillers podcast, we chatted to conductor Marin Alsop and soprano singer Emma Bell about their experiences with the OAE, including why singing certain arias can be like taking part in The Great British Bake Off…
Read MoreWe’re still humming The Four Seasons, following our concerts last week with OAE leader Kati Debretzeni and some glorious choreography from Henri Oguike’s dancers. Here’s some reviews from the night, as well as what you thought…
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After a bit of a break, our Queens, Heroines and Ladykillers series returns on 8 March at the Queen Elizabeth Hall when Emma Bell sings a whole host of arias written for the female voice, including an aria from Mozart’s Idomeneo featuring the famous ladykiller, Elektra. Here’s a bit about her… Who was she? Elektra…
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Our 2013-2014 Southbank Centre season is now on public sale. It all starts off on 30 September when baroque legend William Christie returns to us to conduct a programme of orchestral overtures and arias by Rameau as well as music from England’s favourite adopted composer, George Frideric Handel. This opening concert not only starts our…
Read MoreWe finally finished our European tour with Sir Simon Rattle with a flourish at the Royal Festival Hall last Tuesday. Here’s what the press had to say, as well as what you thought of the night.
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